By Alex Koloskov posted on  August 9th, 2011 |
Do you remember my guest post for digital-photography-school.com? If not, here it is: How to Create an Eye-Catching Product Shot, I promised to get the same or similar photo without using any professional equipment. This weekend I spent less then hour getting it done. The result is below.
Continue reading: Professional photography without professional equipment: myth and reality
By Alex Koloskov posted on  August 2nd, 2011 |
This was a shoot for our long-term client of oursEndochoice, a fast growing medical supplier company. Usually I would be shooting all kinds of medical supplies for them with all of the shots being done on a pure white background (read more here).
This time was different, they asked me to shoot at their medical
Continue reading: Shooting at medical lab: time to add color to sterile environment!
By Alex Koloskov posted on  July 26th, 2011 |
One more thing I did this week outside my blog, but I do not want you to miss this. I bet it will be interesting for many of my readers.
Continue reading: Check out my guest post for dPS: How to Create an Eye-Catching Product Shot
By Alex Koloskov posted on  July 11th, 2011 |
It’s been a long time since my last report from this assignment and I know you guys were missing these articles. Honestly, I’ve missed them too. It’s cool and exiting to run a camera tests, write books and do classes, but I know how interesting the information from the real assignments are. So here is
Continue reading: Studio product assignment: Few tricks on how to shoot high-glossy subject
By Alex Koloskov posted on  April 28th, 2011 |
This is a second part of the article I’ve started last Friday. The shot was finished on the weekend, and today it is time to release the details about how this self-assignment was completed.
Lets see what we got, the final shot:
Pretty cool, isn’t it? Truly speaking, this is very
Continue reading: From idea to implementation: Einstein 640 creative shot. Implementation
By Alex Koloskov posted on  April 22nd, 2011 |
What is the most important behind any decent studio shot? The idea, right? Without idea (concept) there is no way we can create anything really good and remarkable , regardless of how technique was good. Obviously, bad realization can kill any idea, but I never had problem with technical side of the shot so far:-)
Continue reading: From idea to implementation: Einstein 640 creative shot. The idea.
By Alex Koloskov posted on  March 8th, 2011 |
I continue to explore new techniques that I can utilize in my photography, and this is a second article about my experience of a shooting cone. I’ve got some interesting feedback from my first post (Mastering jewelry photography) where I’ve used DIY shooting cone for a jewelry shots. On one of the forums a
Continue reading: Trash can as a tool for a professional photographer: the end result all that matters?
By Alex Koloskov posted on  February 17th, 2011 |
I was cleaning our photobank on Drobo FS (8TB total and only 20% left empty), and found few images of the studio lighting setups from 2 years old photo-sessions we did for Walmart. That time we shot a lot of kitchenware for the product packaging. It was interesting time, as we learned a lot, often
Continue reading: Routine job of a product photographer: kitchenware packaging for Walmart
By Alex Koloskov posted on  February 11th, 2011 |
Do you remember how I treat device called shooting tent or lightbox? Every time readers were asking about lightbox (light tent, shooting box, etc) I was saying that it is very limited and useless thing in our studio. But now you can see yourself what unprincipled person I am: I just finished a shoot
Continue reading: Shooting glassware on white background: high-key in product photography
By Alex Koloskov posted on  January 26th, 2011 |
Quite often we shoot macro, and even more often we shoot it on a white background. In most cases this means that at the end client will receive images of the subject on a pure, (0xFFFFFF) background. Such requirement leaves photographer with only one way (to make it easier on the post-production): shoot on as
Continue reading: Shooting macro on a white background: simple yet very useful tricks
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