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Battle of the Monolights: A Beginner Studio Strobe Review

3 entry level strobe monolights compared


Beginner Studio Strobe Review


Welcome to a new segment on Photigy where we will be providing in-depth reviews on affordable studio photography equipment. We’ve partnered with B&H Photo to give our readers a hands on look at various different lights, modifiers, and other studio gear.

In our third review we take a look at some “serious” studio lighting for beginners. In this beginner studio strobe review¬†we discuss the¬†Impact VSD 300 Digital Monolight, the Interfit EXD200 Digital Flash, and the Wescott Strobelight Monolight. This review is not meant to be a comprehensive technical review, but rather more of a conversational one. Which of these beginner studio strobes will we recommend? Watch the video and read more below to find out.


Studio Lighting Review and Discussion Video


Overview of the Impact VSD 300 Digital Monolight ($238.95)


The Impact VSD 300 Digital Monolight¬†is a nice light with a lot of great features. This is a 300 W/s light that has a digital read out (no sliders or knobs) and all button control layout. The light has touch-pad function control buttons and even has a cool “Auto Dump” feature which automatically fires the strobes when you set the light to a lower power setting.



This light even beeps (which can be turned on or off) to let you know the light has recycled. Which may be useful when you can’t see the back of the strobe. One other great feature is hat it accepts Bowens type reflectors and head accessories.



Technical Specs

  • Max Power in Watt / Seconds – 300
  • Recycle Time – 2 sec (full power)
  • Flash Variability – Full to 1/8 power in 1/10 stop increments
  • Fan Cooled – No
  • Dimensions 11.6” x 8.5” x 6″ ¬†(29.5cm x 21.6cm x 15.2cm)
  • Weight – 3.5lbs (1.6kg)


Overview of the Interfit EXD200 Digital Flash ($169.99)


The Interfit EXD200 Digital Flash has very similar features to the impact light. Eerily too similar, the button layout is a little different, but the functions are all the same and so is the color of the molded body and the back panel. This light also has different slave flash modes which allow for infrared triggering or pre-flash triggering (I suspect the impact has these same features, but they are not advertised nor were they in the instruction manual).


The major difference between the Interfit system and the Impact system aside from price is the power output. The Interfit’s max power is only 200 W/s. We found that the recycle time is actually a bit slower as well, not exactly at 2 seconds. One thing I absolutely did not like about this light was the mounting system (if anyone could identify this mounting system, please let me know). The mounting system was a pain in the but to use and I’m not sure why the manufacturers used it.


Technical Specs

  • Max Power in Watt / Seconds – 300
  • Recycle Time – 2 sec (full power)
  • Flash Variability – Full to 1/8 power in 1/10 stop increments
  • Fan Cooled – No
  • Dimensions 10.8” x 8.4” x 10.4″ ¬†(27.5cm x 21.5cm x 26.5cm) – with reflector
  • Weight – 1.8lbs (.68kg)


Overview of the Wescott Strobelight Monolight ($149.90)


The  Wescott Strobelight Monolight is the least expensive of the lights we tested. While boasting a 300 effective W/s we found that this light in our tests may actually be closer to 200 W/s. The light has very manual features (which may be good in some cases) and is very simple to use. The light does not have an auto dump feature, so you have to manually discharge the light every time you change the power settings.


One thing this light has over its counterpart the Interfit system is that it accepts Bowens type accessories and modifiers. While not necessarily a “bad” light we did find the lack of cool digital features a bit underwhelming. But at the lowest price point of only $149.90 this light has all the basic features you would need in starting in studio photography.


Technical Specs

  • Max Power in Watt / Seconds – 300 Effective W/s
  • Recycle Time – 2.5 sec (full power)
  • Flash Variability – Full to 1/4 power¬†
  • Fan Cooled – No
  • Dimensions 9” x 5” x 8″ ¬†(22.8cm x 12.7cm x 20.3cm)
  • Weight – 3.2lbs (1.4kg)




Our Test



For our test we wanted to see how the light output for each of these strobes compared to the AlienBees 800 unit so we used a light meter to measure the amount of light these strobes were producing. We bounced the light off of a white wall and made sure that each strobe was at maximum power.

The settings were consistent throughout as we set the shutter speed at 1/160 and the ISO at 100. We even used the same reflector for each unit (we had to hold the reflector in front of the bulb for ones that had different mounts). We also made sure that the light meter was in the same position for each light by changing the strobe on the stand in front of the light meter.



The readings in terms of F- Stop are below

Be aware that these number does not represent an absolute flash power measurements, we used them to compare output between strobes.

  • Wescott Strobelight MonolightF18
  • Interfit EXD200 Digital Monolight – F18
  • Alienbees B800F25
  • Impact VSD300 Digital Monolight – F25

As you can see the Westcott and Interfit systems had the same light output from our tests, even though the Westcott has a 300 “effective” W/s. In my opinion this may be just a marketing term and that the Westcott strobe is really 200 W/s.

The Impact light, rated only at 300 W/s had the same light output as our AlienBees light which is 320 W/s.

Our Recommendation

If you are starting to get serious in studio photography and need something a little more powerful than speedlights (with more options for light modifiers) we recommend getting a studio monolight. Now which monolight you purchase may depend on a variety of factors (budget, if you already own existing lighting, etc…). From our test and handling of each of the three lights above, I would highly recommend the Impact VSD300 Digital Monolight.

Both the Westcott and Interfit have some nice features, but just fall short in terms of power. The Impact system also is able to accept accessories and modifiers that use the Bowens mounting system; which I think makes this light very versatile. The build quality seems very good and the rubberized type plastic makes me think that this thing can take a beating. While the Alienbees B800 has been my light of choice for the last few years (and it has an awesome recycle time), this new “digital” monolight is giving it a run for its money.

One thing that I found intriguing that I did not mention in the features above, is that all of these lights have no fans in them. They are extremely quiet, but it does beg the question, will they overheat if used in excess? We don’t know the answer to this question yet, if you have any experience using any of these lights please let us know in the comments below!

You can purchase this unit here on B&H Photo’s website¬†and also see the other variety of monolights they have here.¬†

Was this review helpful? Please let us know how to improve or if you have any questions by commenting on this article or emailing [email protected]¬†

Buy the Strobe directly from B&H as well as these other great accessories, mentioned in this product review here:


Also, check out other deals form our sponsor: Deals on professional photography gear.
A Huge Thanks to our Partner B&H Photo for providing us with the gear to review!
Watch our previous review on the Photigy youtube channel: Studio Strobe Light Review: SF-ABRL 160 Stand Mount Flash with LED Modeling Light

Watch on youtube: Continuous LED Lighting for Studio Photographers: Genaray SpectroLED-9 Light review and Battle of the Monolights: A Beginner Studio Strobe Review

11 responses on "Battle of the Monolights: A Beginner Studio Strobe Review"

  1. I have the Wescott Strobelite and it a 150 w/s and its the same you’ve tested. Good to know that this tests out as 200w/s than the 150w/s. The Stobelite plus is a 200 w/s head with a few more perks like tuning off the beep and photo cell. I’ve looked it up on B&H and Wescott site and there are only the Strobelite and Stroblite Plus.

  2. Hello,
    what should be the best option between Impact Digital Monolight 300Ws and Godox QS400II Flash Head?

    • Godox has more contemporary design and what’s important, you can manage Godox monolight remotely using FT-16 controller on a camera. I think it’s really great option, you can change power of light source without even touching it.

  3. Great video guys. What was that soft box you showed at the end?

  4. Excellent review Alex. Without reviews like this done in a real studio the info given as a description usually us not adequate enough for what we are looking for. Great job as always.

  5. Which is the maximum power that is required for product photography?
    How many lights are required for product photography in general?

  6. It’s a shame that you didn’t include the Flashpoint DG600 – it’s also 300 W/S but has an LED array modeling light which stays cool and uses very little power (for on-location use). I was considering all the lights you reviewed above but ultimately decided on the DG600 when they recently went on sale for $169.99. The modifiers are also inexpensive and surprisingly high quality…

  7. Thanks Cris and Alex on this nice review on entry level monolights :)

    what about mid level monolight reviews? Specially the new Elinchrom ELC PRO HD 500/1000 is this good for freezing shoots ? :)

  8. Great short to the point review. It confirms what I had suspected all along. The Impact light is a good bang for the buck.

    Thanks Cris and Alex.

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